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      <image:title>Blog - 'Tenebræ Factæ Sunt' Now Available On Spotify And Download</image:title>
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  <url>
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    <lastmod>2020-04-23</lastmod>
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      <image:title>Blog - Shortlist for ISCM World Music Days FESTIVAL 2018, Beijing</image:title>
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      <image:title>Blog - Shortlist for ISCM World Music Days FESTIVAL 2018, Beijing</image:title>
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  <url>
    <loc>https://www.graceevangelinemason.com/blog/2017/10/16/news-rlpo-christopher-brooks-prize-2017</loc>
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    <lastmod>2020-04-23</lastmod>
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      <image:title>Blog - Royal Liverpool Philharmonic Orchestra Christopher Brooks Prize 2017</image:title>
      <image:caption>Image: © Mark McNulty</image:caption>
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  <url>
    <loc>https://www.graceevangelinemason.com/blog/2017/9/16/bbc-philharmonic-to-perform-kintsukuroi-golden-repair-nmnwfest17</loc>
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    <lastmod>2020-04-23</lastmod>
    <image:image>
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      <image:title>Blog - BBC Philharmonic to perform 'KINTSUKUROI: (Golden Repair)'</image:title>
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  <url>
    <loc>https://www.graceevangelinemason.com/blog/2017/7/24/river-bbc-radio-3bbc-proms-stagethedock-hull</loc>
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    <lastmod>2020-04-23</lastmod>
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      <image:title>Blog - 'RIVER' BBC Radio 3/BBC Proms, Stage@TheDock, Hull</image:title>
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  <url>
    <loc>https://www.graceevangelinemason.com/blog/2017/7/19/river-bbc-radio-4-front-row-premiere</loc>
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    <priority>0.5</priority>
    <lastmod>2020-04-23</lastmod>
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      <image:title>Blog - 'RIVER' BBC Radio 4 'Front Row' Premiere</image:title>
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      <image:title>Blog - 'RIVER' BBC Radio 4 'Front Row' Premiere</image:title>
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      <image:title>Blog - 'RIVER' BBC Radio 4 'Front Row' Premiere</image:title>
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      <image:title>Blog - 'RIVER' BBC Radio 4 'Front Row' Premiere</image:title>
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  <url>
    <loc>https://www.graceevangelinemason.com/blog/2017/7/16/news-the-guardian-my-first-night-of-the-proms</loc>
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    <priority>0.5</priority>
    <lastmod>2018-09-20</lastmod>
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  <url>
    <loc>https://www.graceevangelinemason.com/blog/2017/7/1/amongst-the-cinders</loc>
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    <priority>0.5</priority>
    <lastmod>2020-04-23</lastmod>
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      <image:title>Blog - 'Amongst The Cinders' EurSax'17</image:title>
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  <url>
    <loc>https://www.graceevangelinemason.com/blog/2017/5/14/the-lord-is</loc>
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    <lastmod>2020-04-23</lastmod>
    <image:image>
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      <image:title>Blog - 'The Lord Is' LFCCM'17</image:title>
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  <url>
    <loc>https://www.graceevangelinemason.com/blog/2017/5/14/4am-in-the-rain</loc>
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    <lastmod>2020-04-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502922387772-935DF2SPFUEFBJIRW7O6/C-XnaJCXgAA7XnX.jpg-large.jpeg</image:loc>
      <image:title>Blog - '4AM In The Rain'</image:title>
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      <image:title>Blog - '4AM In The Rain'</image:title>
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      <image:title>Blog - '4AM In The Rain'</image:title>
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      <image:title>Blog - '4AM In The Rain'</image:title>
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  <url>
    <loc>https://www.graceevangelinemason.com/blog/2017/3/31/news-lso-panufnik-scheme</loc>
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    <lastmod>2020-04-23</lastmod>
    <image:image>
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      <image:title>Blog - LSO Panufnik Scheme - Panufnik Scheme '17</image:title>
      <image:caption>Grace is thrilled to have been a selected composer on the LSO Panufnik scheme 2017/18. After the two-day induction, she is excited for the year ahead and to write for the London Symphony Orchestra.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502922146250-EH5SEON12JXSWG0ZYY81/image-asset.jpeg</image:loc>
      <image:title>Blog - LSO Panufnik Scheme</image:title>
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    <loc>https://www.graceevangelinemason.com/blog/2017/3/30/blinding-burning-lovely</loc>
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    <lastmod>2020-04-23</lastmod>
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      <image:title>Blog - BLOG: 'Blinding, Burning, Lovely'</image:title>
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    <loc>https://www.graceevangelinemason.com/blog/2017/8/16/the-yellow-wallpaper-premiere</loc>
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    <priority>0.5</priority>
    <lastmod>2018-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502920702484-M048UFB0TZHYGSDFJAZO/15235450_10207207624861504_2994998383682155094_o.jpg</image:loc>
      <image:title>Blog - BLOG: 'The Yellow Wallpaper' (Premiere) - Photography: Nick Rutter</image:title>
      <image:caption>Isolde Roxby as 'The Woman', James Quilligan as 'John'</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502920705691-6IB2OB3D0FDQUTPOBXJ0/15235798_10207207625861529_1752324560276033190_o.jpg</image:loc>
      <image:title>Blog - BLOG: 'The Yellow Wallpaper' (Premiere) - Photography: Nick Rutter</image:title>
      <image:caption>Isolde Roxby as 'The Woman'</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502920723765-4GEHDH86B4OEE041ZEHP/16473513_1360688830670018_6060777081349092962_n.jpg</image:loc>
      <image:title>Blog - BLOG: 'The Yellow Wallpaper' (Premiere) - Photography: Nick Rutter</image:title>
      <image:caption>Ayaka Tanimoto as 'Jennie'</image:caption>
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    <image:image>
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      <image:title>Blog - BLOG: 'The Yellow Wallpaper' (Premiere) - Photography: Nick Rutter</image:title>
      <image:caption>Left to Right: Grace-Evangeline Mason, Isolde Roxby, Tamara Lorenzo Gabeiras, Ayaka Tanimoto, James Quilligan, Guido Martin-Brandis</image:caption>
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  <url>
    <loc>https://www.graceevangelinemason.com/blog/2016/12/11/the-yellow-wallpaper-masterclasses</loc>
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    <lastmod>2018-09-20</lastmod>
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      <image:title>Blog - BLOG: 'The Yellow Wallpaper' (Masterclasses)</image:title>
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      <image:title>Blog - BLOG: 'The Yellow Wallpaper' (Masterclasses)</image:title>
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      <image:title>Blog - BLOG: 'The Yellow Wallpaper' (Masterclasses)</image:title>
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    <image:image>
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      <image:title>Blog - BLOG: 'The Yellow Wallpaper' (Masterclasses)</image:title>
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  <url>
    <loc>https://www.graceevangelinemason.com/blog/2016/11/23/by-the-atmosphere-of-a-room</loc>
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    <priority>0.5</priority>
    <lastmod>2018-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502920046575-DASTA0U137N9EMWO8QY9/image-asset.jpeg</image:loc>
      <image:title>Blog - BLOG: '..BY THE ATMOSPHERE  OF A ROOM'</image:title>
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  <url>
    <loc>https://www.graceevangelinemason.com/blog/2016/10/17/kintsukuroi-golden-repair</loc>
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    <priority>0.5</priority>
    <lastmod>2018-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502919783175-3S32QXD83L4IN73CQQ71/image-asset.jpeg</image:loc>
      <image:title>Blog - BLOG: 'KINTSUKUROI: (Golden Repair)'</image:title>
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  <url>
    <loc>https://www.graceevangelinemason.com/blog/2016/6/13/the-rosy-hearth</loc>
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    <lastmod>2018-09-20</lastmod>
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  <url>
    <loc>https://www.graceevangelinemason.com/blog/2016/4/27/samson</loc>
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    <priority>0.5</priority>
    <lastmod>2018-09-20</lastmod>
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      <image:title>Blog - BLOG: 'SAMSON'</image:title>
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  <url>
    <loc>https://www.graceevangelinemason.com/blog/2016/3/12/let-the-rain-kiss-you</loc>
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    <priority>0.5</priority>
    <lastmod>2018-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502918835121-H06Z5EV1K9SYAOS38DHA/image-asset.jpeg</image:loc>
      <image:title>Blog - BLOG: 'Let The Rain Kiss You'</image:title>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/blog/2016/3/7/peach-blossom-garden</loc>
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    <priority>0.5</priority>
    <lastmod>2018-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502918561903-04NA86EDTJ6U8TWWLFWM/image-asset.jpeg</image:loc>
      <image:title>Blog - BLOG: 'Peach Blossom Garden'</image:title>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/blog/2016/2/11/per-aspera-ad-astra</loc>
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    <priority>0.5</priority>
    <lastmod>2018-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502918092764-WS0L5T44CMORYI9C0JSD/image-asset.jpeg</image:loc>
      <image:title>Blog - BLOG: 'Per Aspera Ad Astra'</image:title>
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  <url>
    <loc>https://www.graceevangelinemason.com/contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-24</lastmod>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/kintsukuroi</loc>
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    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1501957915985-K6DEO39MAREYZIVWFAN5/KINTSUKUROI%3A+%28Golden+Repair%29</image:loc>
      <image:title>KINTSUKUROI: (Golden Repair) - KINTSUKUROI: (Golden Repair) (2016)</image:title>
      <image:caption>For orchestra Duration: 7'30" first performed by the Brand New Orchestra, Royal Northern College of Music, Manchester (13/10/16) First broadcast BBC Radio 3 (20/01/18) Performed by BBC Philharmonic Orchestra, conducted by Mark Heron (14/11/17) Asian Premiere by the Oxford University Orchestra with Japanese Orchestra Motif, conducted by Cayenna Ponchione, Fujiwara Memorial Hall, Tokyo, Japan (21/03/19) Shortlisted for the 2018 ISCM World Music Days Festival, Beijing ‘KINTSUKUROI:(Golden Repair) is a short orchestral work based on a Japanese form of pottery art in which broken pottery is mended back together with gold instead of glue. This creates individual, fragile golden seams across the pot as they naturally occurred. In this piece, fleeting and delicate lines encircle the opening above a dark, undulating texture that builds until it suddenly breaks, which resembles the shattering of the pot. Growing out of this, a constant and iridescent soundworld is created to reflect the intentions of the art form; it has been made more beautiful for having been broken.' ©G.E.M.2016 ©Cover Image: 'KINTSUKUROI' Painting by Grace-Evangeline Mason 2016</image:caption>
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  <url>
    <loc>https://www.graceevangelinemason.com/works</loc>
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    <lastmod>2025-10-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1770640182333-GB75KH86W7BKPHP8M19S/an%2Beverywhere%2Bcoverr.jpg</image:loc>
      <image:title>WORKS - An Everywhere of Silver (2026)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1687500921422-XRXBDE9NKYM43KJUK8KX/Ablaze%252Bthe%252Bmoon%252Bcover.jpg</image:loc>
      <image:title>WORKS - ABLAZE THE MOON (2023)</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1624546850056-H24Z5B5DU1H76FL7I1EE/The%2BImagined%2BForest%2Bcover.jpg</image:loc>
      <image:title>WORKS - The Imagined Forest (2021)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1721221272493-T622SAZENU1E0PHZYOVQ/beneath%2Bthe%2Bsilken%2Bsilence%2B%255Bpost%2Bparts%2Bin%2BC%255D.jpg</image:loc>
      <image:title>WORKS - beneath the silken silence (2017)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1501962841848-8LWOMXYQ2S3GZQ1IRCF7/KINTSUKUROI+%28Golden+Repair%29.jpg</image:loc>
      <image:title>WORKS - KINTSUKUROI: (Golden Repair) (2016)</image:title>
      <image:caption>for orchestra. 2016 First performed by Brand New Orchestra at the Royal Northern College of Music (13/10/16) Duration: 7'30"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1744981326880-ZZJCLFU4ICX6BTXY0748/The%2BHart%2Binner%2Bcoverr.jpg</image:loc>
      <image:title>WORKS - THE HART (2025)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1520605646777-WKTTF30VFNLZYE15L2K1/fireworks+cover.jpg</image:loc>
      <image:title>WORKS - FIREWORKS (2018)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1674499617377-HHT0BCR1VVZG7URZQR7I/the%2Bwater%2Bgarden%2Bcover.jpg</image:loc>
      <image:title>WORKS - The Water Garden (2022)</image:title>
      <image:caption>for harp and wind dectet</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1660683103213-C3OB7V2BS8OL2DSKEBMJ/In%2Bthe%2BFragrant%2BAir%2Bcover%2B2.jpg</image:loc>
      <image:title>WORKS - In the Fragrant Air (2022)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1660681586645-LJDM9JX7763CQ7BLU0CR/The%2BSafe-kept%2Bmemory%2Bcover.jpg</image:loc>
      <image:title>WORKS - The Safe-kept Memory (2021)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1609972563944-NRRD1GGWFHK3F03854SE/beauty%2Bof%2Bdecay%2Bcover%2B3.jpg</image:loc>
      <image:title>WORKS - The Beauty of Decay (2020)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1590133942834-8BOIS13UKV72QU8I6N0A/thoughts%2Bwindow%2Bcover%2Boption%2B2.jpg</image:loc>
      <image:title>WORKS - My Thoughts Fly In At Your Window (2020)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1562757110439-QLO8HM40YM2PFZ99I3X8/Grace-Evangeline+Mason+Midnight+Spires+Cover+Art.jpg</image:loc>
      <image:title>WORKS - Midnight Spires (2019)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1543108792503-LVUEFL0T5RT6YX74Q8VV/into+the+abyss+I+throw+roses+cover.jpg</image:loc>
      <image:title>WORKS - Into The Abyss, I Throw Roses (2018)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1538171419187-6PDOD0TC70RJV17BMU2K/AS+BRONZE+-+Grace-Evangeline+Mason.jpg</image:loc>
      <image:title>WORKS - AS BRONZE (2018)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1536014285082-CZXFTGT9M2TXKKVZP6ZO/Microsoft+Word+-+upon+weightless+wings+cover.jpg</image:loc>
      <image:title>WORKS - Upon Weightless Wings (2018)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1514933465659-HE87QYCCJPU1V5B36O5X/PALE+FIRES+-+Grace-Evangeline+Mason+.jpg</image:loc>
      <image:title>WORKS - PALE FIRES (2017)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1501966693605-7QU3YUHR8OW9X8ZEU0F6/RIVER+%2826%3A06%3A17%29+Grace-Evangeline+Mason.jpg</image:loc>
      <image:title>WORKS - RIVER (2017)</image:title>
      <image:caption>For Chamber Orchestra Commissioned by BBC Radio 4 'Front Row' Programme and the BBC Proms, first performed by the London Early Opera. (17/07/17)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1761536512564-DIXSSB8YQUHMW7JT0NCW/The%2BButterfly%2Band%2Bthe%2BStone%2Bcover.jpg</image:loc>
      <image:title>WORKS - The Butterfly and the Stone (2021-24)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1761536550915-TCPH8GWZS6TBWG0VLEJN/Whirl%2BUp%252C%2BSea%2B%25E2%2580%2594%2Bby%2BGrace-Evangeline%2BMason.jpg</image:loc>
      <image:title>WORKS - Whirl Up, Sea- (2022)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1761536677866-9T39WQK1JE2D33LS6UEZ/Where%2Bthe%2BBirds%2BSing%2Bcover.jpg</image:loc>
      <image:title>WORKS - Where the Birds Sing (2022)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1761536581816-BDFSCUJHZILARIQ5BQI8/Light%252C%2BRevealing%2Bcover.jpg</image:loc>
      <image:title>WORKS - Light, Revealing (2021)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1761537280449-0Z8GXLAO3YNT6MF360XS/glass%2Bcathedrals%2Bcover.jpg</image:loc>
      <image:title>WORKS - Glass Cathedrals (2019)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1761537691712-WVI8WA43NDE4SB69TMK3/Pinhole%2BPlanetarium%252C%2BSeeing%2BStars%2B-%2BGrace-Evangeline%2BMason.jpg</image:loc>
      <image:title>WORKS - Pinhole Planetarium, Seeing Stars (2018)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1761537421458-CZ2KFNNF09ASHWF1UZKL/Amongst%2BThe%2BCinders%2B-%2BSaxophone.jpg</image:loc>
      <image:title>WORKS - Amongst the Cinders (2017)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1761536659111-WWGVZ7BU2UW1O6AV8SVV/Diamond%2Bdust%2BII%2BSHOP%2BSCORE.jpg</image:loc>
      <image:title>WORKS - Diamond Dust II (2015)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1761537119249-IFI12Z1F1M57DZ0O9S3B/Screenshot+2025-10-27+at+03.51.25.png</image:loc>
      <image:title>WORKS - Let the Rain Kiss You (2015)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1501967428697-S3ZT660EFHHNANN2ZYVF/Blinding%2C+Burning%2C+Lovely.jpg</image:loc>
      <image:title>WORKS - Blinding, Burning, Lovely (2017)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1501979939746-CEAQ9SKV4BW7YI7G5ASS/THE+ROSY+HEARTH+-+GRACE-EVANGELINE+MASON.jpg</image:loc>
      <image:title>WORKS - THE ROSY HEARTH (2016)</image:title>
      <image:caption>for tenor voice and piano</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1501979823373-4ER2QXENEQLCXL5XW81G/samson+cover+image.jpg</image:loc>
      <image:title>WORKS - SAMSON (2016)</image:title>
      <image:caption>for soprano, viola and electronics</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1773323987349-WMCCDBSK5OI3A3JD4RZB/hour+of+stars+cover+copy.jpg</image:loc>
      <image:title>WORKS - Hour of Stars (2026)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1694440179617-HAFVY7NI3R3FG2OOYNTH/O%2BSapientia%2Bcover.jpg</image:loc>
      <image:title>WORKS - O Sapientia (2023)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1684619543583-VXQJ5CTY2PFJ44BGHXXI/A%2BMemory%2Bof%2Bthe%2BOcean%2Bcover.jpg</image:loc>
      <image:title>WORKS - A Memory of the Ocean (2023)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1674494681980-F9WHXDXO2S9VUQCTKNKE/A%2BWinter%2BCarol%2Bcover.jpg</image:loc>
      <image:title>WORKS - A Winter Carol (2021)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1579412421509-DGOO7KF2GAVPM2MPZ8AX/Mahler%E2%80%99s+Letters+cover.jpg</image:loc>
      <image:title>WORKS - Mahler's Letters (2020)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1552223660913-WQXEGOLWFUR9L27KJSXN/magnificat+cover.jpg</image:loc>
      <image:title>WORKS - MAGNIFICAT (2019)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1552227837676-EL2G4Q9H8WJ0H8VT3TSZ/A+Song+of+Christ%27s+Glory+.jpg</image:loc>
      <image:title>WORKS - A Song of Christ's Glory (2019)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1552224247972-LZY0S8EKP79TNPXLNKT2/stars%2Babove%2Bearth%2Bbelow%2Bcover.jpg</image:loc>
      <image:title>WORKS - Stars Above, Earth Below (2019)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1534643316870-G10ZHE6Q9EFSPRXVUA19/FAFAIA+-+Grace-Evangeline+Mason.jpg</image:loc>
      <image:title>WORKS - FAFAIA (2018)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1534644182540-R1NZWEVBY8JPRQKP2IIE/TENEBRAE+FACTAE+SUNT+-+Grace-Evangeline+Mason.jpg</image:loc>
      <image:title>WORKS - TENEBRAE FACTAE SUNT (2018)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1501978968870-OR5DD2N5G9MT27L16Y5Z/The+Lord+Is+-+Grace-Evangeline+Mason.jpg</image:loc>
      <image:title>WORKS - The Lord Is (2015)</image:title>
      <image:caption>for SATB choir</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1536765860779-XEVKRB67EAJ74BA1GIYH/Hodie+Christus+Natus+Est+%28rev.+2018%29.jpg</image:loc>
      <image:title>WORKS - Hodie Christus Natus Est (2015)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1534672538965-5MK8OTAGWGOJXDPQOM0X/FAINT+FLIGHT+-+Grace-Evangeline+Mason.jpg</image:loc>
      <image:title>WORKS - Faint Flight (2014)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1659317096195-S6O50IU120HKDP2G96P7/in%2Bher%2Bown%2Bvalley%2Bnew%2Bcover.jpg</image:loc>
      <image:title>WORKS - In Her Own Valley (2019)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1501967057070-MXWXGX8TOLGFK2BG8YNN/THE+YELLOW+WALLPAPER+IMAGE+With+writing.jpg</image:loc>
      <image:title>WORKS - The Yellow Wallpaper (2016)</image:title>
      <image:caption>Commissioned by the Helios Collective for performance at ENO Lilian Baylis House (25/11/16)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1597966647651-N9SOP421YKVHZ60H4SAQ/EfobbRJXgAEoNZ6.jpg</image:loc>
      <image:title>WORKS - L'altra notte in fondo al mare (2020)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1581092798841-KRKXVTOXG619NZOGG5D4/71DcUrc1R9L._SS500_.jpg</image:loc>
      <image:title>WORKS - I Saw Three Ships (2019)</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/videos</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-17</lastmod>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/o-abloom</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1501965703820-FCMCFVHZP3GDLO9VSQFF/ABLOOM%3A+Where+Quiet+Falls+Asleep</image:loc>
      <image:title>ABLOOM: Where Quiet Falls Asleep - ABLOOM: Where Quiet Falls Asleep (2017)</image:title>
      <image:caption>for orchestra Duration: 4'30" First performed by Brand New Orchestra at the Royal Northern College of Music, Manchester. (12/10/17) 'ABLOOM: Where Quiet Falls Asleep is a short orchestral work based on the poem, ‘A Fantasy’ by Sara Teasdale (1884-1933). The piece is inspired by both the imagery and phrase structure within the prose and therefore, acts as an unspoken vocalization of the poem. The work seeks to create an atmospheric soundworld to reflect the dream- like movements of nature portrayed in ‘A Fantasy’.'©G.E.M.2017 ©Cover Image: 'ABLOOM' Painting by Grace-Evangeline Mason 2017</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/biography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/0248db2b-6f87-4666-96e9-cae5aaf565a0/IMG_3406e.jpg</image:loc>
      <image:title>BIOGRAPHY</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/c-diamond-dust-ii</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1501977939416-9MOSPZOYDGKQL9A19HA4/image-asset.jpeg</image:loc>
      <image:title>Diamond Dust II - Diamond Dust II (2015)</image:title>
      <image:caption>For clarinet in Bb and prepared piano. Duration: 6' First performed live on BBC Radio 3 Young Artists Day Programme from the RNCM (04/05/15) 'Diamond Dust is a type of cloud that consists of tiny ice crystals, which creates a meteorological phenomenon commonly found in the Antarctica and the Arctic. A visual display of optical marvels resembling falling glitter are present due to the diamond dust crystal’s well- defined hexagonal shapes and can, like a prism, refract light in specific directions. The piece itself consists of fast cycling pitch patterns in the piano to create a delicate textural sound world to resemble the fragility of the drifting ice crystals. There is a focus on resonance, as the span of ringing notes evolves throughout until it is eventually created by a single consonant chord. A dampened figure emerges out of this resonant texture each time until at the end it is the only entity remaining. The clarinet seeks to create an underlying presence throughout the piece acting as an aid to the piano, however it occasionally breaks free and they unite to create an ethereal sound landscape.' ©G.E.M.2015 ©Cover Image: 'Diamond Dust' by Grace-Evangeline Mason 2015</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/c-river</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502909762732-9E3WCXH5H8VI2BABA809/image-asset.jpeg</image:loc>
      <image:title>River - RIVER (2017)</image:title>
      <image:caption>For chamber orchestra Duration: 3' co-commissioned by BBC Radio 4's 'Front Row' programme and the BBC Proms. First performed by the London Early Opera and conducted by Bridget Cunningham, broadcast live on BBC Radio 4 (17/07/17). Subsequently performed at the 2017 BBC Proms Stage@TheDock, Hull, by Royal Northern Sinfonia, conducted by Nicholas McGegan, broadcast live on BBC Radio 3 (22/07/17). 'RIVER is a short work for chamber orchestra, which was written to celebrate the 300th anniversary of Handel’s Water Music. The piece seeks to reflect the flowing of water through the use of fleeting, melodic fragments that encircle each other to imitate the small waves on the surface of a river. Instances of stability are juxtaposed with moments of turbulence to suggest the ever-changing movement of the still, yet restless, river.' ©G.E.M.2017 ©Cover Image: 'RIVER' Painting by Grace-Evangeline Mason 2017</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/c-amongst-the-cinders</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502908307192-92QYJ5EIQTFH7MWLNU5U/image-asset.jpeg</image:loc>
      <image:title>Amongst The Cinders - AMONGST THE CINDERS (2017)</image:title>
      <image:caption>For soprano saxophone and piano Duration: 4' Commissioned by saxophonist Gillian Blair for world premiere at EurSax 2017, Porto. (12/07/17) UK Premiere by Gillian Blair as part of the Borough New Music Festival, London (19/01/19) 'AMONGST THE CINDERS is a short work for soprano saxophone and piano that seeks to create a dense, heavy and haunting atmosphere to echo the aftermath of a burnt-out fire. The piece builds into moments of ignition to reflect the cinders that no longer produce flames but still contain combustible matter within them. Therefore, throughout the piece, AMONGST THE CINDERS merges instances of eruption and stability, sparks and cinders.' ©G.E.M.2017 ©Cover Image: 'CINDERS' Painting by Grace-Evangeline Mason 2017</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/op-the-yellow-wallpaper</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502914123248-D7UTZ6OWA1XRFGCV8F9X/image-asset.jpeg</image:loc>
      <image:title>The Yellow Wallpaper - 'The Yellow Wallpaper' (2016)</image:title>
      <image:caption>A Chamber Opera in One Act Duration: 20' 'The Woman' - soprano 'John' - baritone 'Jennie/The Woman In The Paper' - mezzo-soprano flute/picc. clarinet/bass cl. violin viola 'cello First performed at ENO Lilian Baylis House, London, production by the Helios Collective (25/11/16) ©Cover Image: 'The Yellow Wallpaper' by Grace-Evangeline Mason 2016</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/ch-the-lord-is</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502913844560-F8HQOAT5G8MZQWCOC35X/image-asset.jpeg</image:loc>
      <image:title>The Lord Is - 'The Lord Is' (2015)</image:title>
      <image:caption>for SATB choir Duration: 4' First performed by the Sarum Consort in the London Festival of Contemporary Church Music (13/05/17) A setting of PSALM 93:1-4 (NRSV) ©Cover Image: 'The Lord Is' by Grace-Evangeline Mason 2015</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/v-the-rosy-hearth</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502912572324-IY1ZK170W9RAS16WA25I/image-asset.jpeg</image:loc>
      <image:title>The Rosy Hearth - The Rosy Hearth (2016)</image:title>
      <image:caption>for tenor and piano Duration: 3'30" First performed at the Royal Northern College of Music 'Day of Song' Festival (12/06/16) ‘The Rosy Hearth is a short work, which sets words from Paul Verlaine for solo tenor voice and piano. The poem describes a bittersweet scene in which the narrator reflects over the closing of the day when he can finally relax and dream. However, the piece almost acts as a lamentation of the words due to the chromatic undertones throughout the work whilst also resembling a more traditional art song.' ©G.E.M.2016 ©Cover Image: 'The Rosy Hearth' Painting by Grace-Evangeline Mason 2016</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/v-blinding-burning-lovely</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502912051254-D5L3Z5GK2UQMB50ZUBAK/image-asset.jpeg</image:loc>
      <image:title>Blinding Burning Lovely - 'Blinding, Burning, lovely' (2017)</image:title>
      <image:caption>for soprano, violin, viola, 'cello and piano Duration: 3'30" First performed by Eleanore Cockerham and musicians at the Royal Northern College of Music (20/03/17) '‘Blinding, Burning, Lovely’ for soprano and ensemble is a setting of the poem ‘The Falling Star’ by Sara Teasdale (1884-1933). Throughout the piece, the soprano moves from a vernacular to a stylized manner of singing as the work expands and grows outwards from the first spoken word. The piece aims to create an atmospheric soundworld by the use of repeating iridescent harmonics textures underneath.' ©G.E.M.2017 ©Cover Image: 'Blinding, Burning, Lovely' by Grace-Evangeline Mason 2017</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/v-samson</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1502913148306-PH49QWMY40YVRL79EQ9H/image-asset.jpeg</image:loc>
      <image:title>SAMSON - 'SAMSON' (2016)</image:title>
      <image:caption>for soprano, viola and electronics Duration: 6' First performed at the Royal Northern College of Music 'Rosamond Prize' Concert in collaboration with the Manchester Writing School. Winner of the Rosamond Prize 2016. 'Samson is a short piece based on the poem by the same name by Elisabeth Sennitt Clough. The voice takes on the role of a Biblical Delilah figure by acting as an alluring character at the outset with a growing intensity that leads to some more hostile moments later in the piece, as the motives of her actions become more apparent. The viola and electronics seek to create an underlying soundworld of the beautiful simplicity of the character at the beginning, which becomes tenser in accordance with the voice. The viola part is also present in the electronics to highlight the close relations between Samson and Delilah, which strays and converges.' ©G.E.M.2016 ©Cover Image: 'SAMSON' by Grace-Evangeline Mason 2016</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/news-and-updates</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-03-31</lastmod>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-pale-fires</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1514933876847-K56FWFJ41WB8M8CXJ48U/PALE+FIRES+-+Grace-Evangeline+Mason+.jpg</image:loc>
      <image:title>Pale Fires - 'PALE FIRES' (2017)</image:title>
      <image:caption>For chamber orchestra fl, cl, bsn, 2 hrn in F, 10 Strings (3.0.3.2.2) Approx. Duration: 5' First performed by Royal Liverpool Philharmonic Orchestra's Ensemble 10/10, conducted by Jessica Cottis (28/02/18) '‘PALE FIRES’ (2017) is a short work for chamber ensemble inspired by the line in Shakespeare’s play ‘Timon of Athens’, in which the moon is described as ‘an arrant thief, and her pale fire she snatches from the sun’. This refers to the pale fire of moonlight that is only made possible by reflecting, and therefore ‘stealing’, sunlight. The piece seeks to create an ethereal atmosphere, in which delicate, and sometimes distorted, repeating fragments emulate and mirror each other to reflect the creation of moonlight’s pale fire.' ©G.E.M.2017 ©Cover Image: 'Pale Fires' Painting by Grace-Evangeline Mason 2017</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-beneath-the-silken-silence</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1520136981581-X71TOM8E5T1CBS4TP0KD/beneath+the+silken+silence+%5Bpost+parts+in+C%5D.jpg</image:loc>
      <image:title>beneath the silken silence - 'beneath the silken silence' (2017)</image:title>
      <image:caption>for Symphony Orchestra Duration: 3'30" Written for the London Symphony Orchestra through the LSO Discovery Panufnik Composers Scheme, generously supported by Lady Hamlyn and the Helen Hamlyn Trust. ‘beneath the silken silence’ is a short orchestral work based on the poem, ‘The Faery Forest’ by Sara Teasdale (1884-1933). The piece is inspired by both the imagery and phrase structure within the prose and therefore, acts as an unspoken vocalization of the poem. The work seeks to create an atmospheric soundworld to reflect the dream-like movements of nature portrayed in ‘The Faery Forest’. ©G.E.M.2018 ©Cover Image: 'silken silence' Painting by Grace-Evangeline Mason 2017</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-fireworks</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1522546253817-MRMKGJC6Q18O48QIYPB6/image-asset.jpeg</image:loc>
      <image:title>FIREWORKS - 'FIREWORKS' (2018)</image:title>
      <image:caption>for soprano and orchestra Duration: 7'30" First performed by Ann Wilkes, soloist, and the Brand New Orchestra at the Royal Northern College of Music, Manchester. (26/04/18) 'FIREWORKS (2018) for soprano and orchestra is a work based on the poem of the same name by Amy Lowell (1874-1925). Lowell's poem generates stunning imagery whilst simultaneously reflecting on human relationships. The set text is treated, edited and utilised in this piece so that the fantastical visualisations created can take precedence. It is a poem filled with moments of both explosive colour and fragile restraint, which are conveyed in this ethereal work.' ©G.E.M.2018 ©Cover Image: 'FIREWORKS' Painting by Grace-Evangeline Mason 2018</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/tenebrae-factae-sunt</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1534644247546-OZ5YN9R5UFJX1SR1J5ZD/TENEBRAE+FACTAE+SUNT.jpg</image:loc>
      <image:title>TENEBRAE FACTAE SUNT - Tenebrae Factae Sunt (2018)</image:title>
      <image:caption>for SATB choir Duration: 4' A setting of the words from the Response for Matins of Good Friday First performed by Manchester Renaissance Ensemble (18/05/18). Recording available on Spotify.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-fafaia</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1534643082173-LOSJDB519MSNS383N7T5/FAFAIA+-+Grace-Evangeline+Mason.jpg</image:loc>
      <image:title>Fafaia - 'FAFAIA' (2018)</image:title>
      <image:caption>For Choir and Piano Duration: 3' Commissioned for the LSO Community Choir through the LSO Discovery Panufnik Composers Scheme, generously supported by Helen Hamlyn and the Helen Hamlyn Trust. First Performed at LSO St Luke’s, London, 16th November 2018. ‘Fafaia’ (2018) for choir and piano is a setting of the poem of the same name by the World War I poet, Rupert Brooke. Known for his somewhat idealistic portrayals of World War I, Brooke’s poem is simple and reflective, which he wrote when he was in Saanapu in November 1913. It can be interpreted to be about shared experiences, however fleeting, befitting to both war comrades as well as wider human relationships. ©G.E.M.2018 ©Cover Image: 'Fafaia' Painting by Grace-Evangeline Mason 2018</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-faint-flight</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1534672634333-HIXU44KZA75KZJL2JNZQ/FAINT+FLIGHT+-+Grace-Evangeline+Mason.jpg</image:loc>
      <image:title>Faint Flight - 'Faint Flight' (2014)</image:title>
      <image:caption>for SATB Choir Approx. Duration: 4' Written for the BBC Singers and conductor, Paul Brough US Premiere by Philharmonia Baroque Orchestra and Chorale, Bing Concert Hall, PBO Sessions at Stanford Live, San Francisco (07/03/19) ‘Faint Flight’ (2014) is centered on utilising a small selection of prose from Coventry Patmore’s poem, ‘Faint Yet Pursuing,’ which he included in his collection of poems entitled ‘The Unknown Eros’ in Hastings, 1890. The work aims to create a calm, yet uplifting atmosphere.©G.E.M.2014 ©Cover Image: 'Flight' Painting by Grace-Evangeline Mason 2014</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-upon-weightless-wings</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1536014341990-UYNSPPYKSSACZKKWA23A/Microsoft+Word+-+upon+weightless+wings+cover.jpg</image:loc>
      <image:title>Upon Weightless Wings - Upon Weightless Wings (2018)</image:title>
      <image:caption>for large chamber ensemble (1.1.1.1/1.1.1.0/pf/perc/1.1.1.1.1) Approx. Duration: 11'30” Written for the Royal Liverpool Philharmonic Orchestra’s new music group, Ensemble 10/10, for their 21st birthday concert on 10th October 2018 I - 'In Sheep's Clothing' II - 'and, between light and darkness' III - 'To Breathe Now' ‘Upon Weightless Wings (2018) for large chamber ensemble is written in three movements, each taking inspiration from separate contemporary artworks. The first, ‘In Sheep’s Clothing’, is a slow, dark movement taking its title inspiration from the pine sculpture of the same name by Martin Puryear (1996). The second movement ‘and, between light and darkness’, is based upon the oil painting ‘Y una entre luz y penumbra’ (2006) by Manuel Huertas Torrejon, in which two birds perch facing each other on a ledge, one in shadow and the other illuminated by daylight. The final movement, ‘To Breathe Now’, is inspired by the installation ‘To Breathe – A Mirror Woman’ (2006) by multidisciplinary artist Kimsooja, in which she transformed a palace into a glorious display of reflected rainbows. Across the three movements the piece explores themes of liberation; transitioning from darkness to light, restrain to freedom. It is a work written to celebrate new beginnings, to have weightless wings.' ©G.E.M.2018 ©Cover Image: 'Wings' Painting by Grace-Evangeline Mason 2018</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-as-bronze</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1538170103273-OCBS0XSMWDDA84HA3ARB/image-asset.jpeg</image:loc>
      <image:title>As Bronze - AS BRONZE (2018)</image:title>
      <image:caption>For Brass Quintet Approx. Duration: 3’ Suitable for grade 6+ First performed by members of the Royal Liverpool Philharmonic Orchestra Youth Company as part of the Wilfred Owen Commemoration Festival on November 9th 2018, Birkenhead, to celebrate the centenary of the First World War. ‘As Bronze’ (2018) is a simple, slow and reflective work for brass quintet inspired by the poem ‘As Bronze May Be Much Beautified’ by World War I poet, Wilfred Owen. The poem, which was incomplete upon the poet’s death, uses imagery to describe how materials such as bronze and pearl can be made more beautiful for having experienced hardship.’ ©G.E.M.2018</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-kite-song</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1538171800531-MDAIKEM4WHTYF6ARQ1GE/Microsoft+Word+-+Template7.jpg</image:loc>
      <image:title>Kite Song - Kite Song (2018)</image:title>
      <image:caption>For Soprano, Clarinet in Bb and Violoncello Approx. Duration: 4’ Commissioned as part of the Manchester Peace Song Cycle. First performed at the Heaton Park Music Rooms following the unveiling of the new Heaton Park War Memorial on 18th November 2018 ‘Written as part of the ‘Manchester Peace Song Cycle’, which was created to commemorate 100 years since the World War I armistice, Heaton Park and Manchester’s place in world history during war and peacetime, ‘Kite Song’ (2018) is an uplifting and reflective short work setting words by Tony Walsh.’ ©G.E.M.2018 ©Cover Image: 'Kite' Painting by Grace-Evangeline Mason 2018</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/into-the-abyss-i-throw-roses</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1543108367320-A4AC18RAF7CLJIIDNQL3/into+the+abyss+I+throw+roses+cover.jpg</image:loc>
      <image:title>Into The Abyss, I Throw Roses - ‘Into The Abyss, I Throw Roses’ (2018)</image:title>
      <image:caption>for violin, viola and violoncello Approx. Duration: 7’ Commissioned by the Park Lane Group with funding provided by the RVW Trust. First performance by the Eblana String Trio in the Southbank Soundstate Sessions, Purcell Room, London (17/01/19) ‘Into The Abyss, I Throw Roses (2018) for string trio is inspired by words from Friedrich Nietzsche’s Posthumous Fragments dating November 1882 to February 1883. ‘You have overcome yourself: but why do you show yourself to me only as the one overcome? I want to see the victor: throw roses into the abyss and say, "Here is my thanks to the monster who didn’t succeed in swallowing me.”’ The piece depicts the imagery within the text by contrasting reflective, sombre moments with more heavy, rhythmic passages as well as delicate descending figures simulating falling roses.’ ©G.E.M.2018 ©Cover Image: 'I Throw Roses' Painting by Grace-Evangeline Mason 2018</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-pinhole-planetarium-seeing-stars</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1544642363651-8DUNPKZRPO07WMEFE8K2/image-asset.jpeg</image:loc>
      <image:title>Pinhole Planetarium, Seeing Stars - ‘Pinhole Planetarium, Seeing Stars’ (2018)</image:title>
      <image:caption>for piano duo Approx. Duration: 5’ ‘Pinhole Planetarium, Seeing Stars (2018) is a work for piano duo inspired by the installation by artist Dianne Bos entitled ‘Seeing Stars’ (2003), which uses a pinhole camera with multiple ‘lenses’ to project a galaxy-shaped cluster of lights onto ground glass. The piece seeks to generate an ethereal soundworld created by the use of delicate fragments that follow the shape of five different constellations (Ursa Major, Ursa Minor, Orion, Taurus and Gemini) to inform the melodic pitch contours within the work.’ ©G.E.M.2018 ©Cover Image: 'Planetarium' Painting by Grace-Evangeline Mason 2018</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-a-song-of-christs-glory</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1552227909408-25RGWQTU2PKJL9VG8NJG/A+Song+of+Christ%27s+Glory+.jpg</image:loc>
      <image:title>A Song of Christ's Glory - ‘A Song of Christ’s Glory’ (2019)</image:title>
      <image:caption>For SATB choir Approx. Duration: 3’30” Commissioned by the Chapel Choir of Emmanuel College, Cambridge (03/03/19) A setting of Philippians 2:5-11 from the KJV and Wycliffe translations Philippians 2:5-11 Let this mind be in you, as in Christ Jesus: He lowered himself, in the form of a servant, He humbled himself, obedient unto death, The death of the cross. Wherefore God hath highly exalted him, And gave to him a name above all names; That at the name of Jesus every knee shall bow, Of things in heaven, and things in earth, And things under the earth; And each tongue shall confess that Jesus Christ is Lord, To the glory of God the Father. - From the KJV and Wycliffe translations ©Cover Image: 'Song of Glory' Painting by Grace-Evangeline Mason 2019</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-stars-above-earth-below</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1552224300143-Z7YV6HEH0GHXKJKQFFMZ/stars+above+earth+below+cover.jpg</image:loc>
      <image:title>Stars Above, Earth Below - ‘Stars Above, Earth Below’ (2019)</image:title>
      <image:caption>For SATB choir Approx. Duration: 4’ Written for the BBC Singers A setting of ‘Leaves’ by Sara Teasdale ‘'Stars Above, Earth Below' (2019) is a hopeful and reflective setting of the poem 'Leaves' by Sara Teasdale (1884-1933). The piece begins with celestial, descending lines across the vocal parts to represent each falling leaf as, 'one by one, like leaves from a tree, all my faiths have forsaken me.' The piece then moves from reflection to revelation as the music opens out, looking up to the stars and down to the earth, observing the beauty of the natural world around us. The work is introspective, lamenting over the loss of the 'leaves I knew', but it ultimately turns into understated promise as the 'little leaves that die, have left me room to see the sky' depicting transformation through loss, from one season to the next. The piece returns to the celestial, ethereal falling lines at its conclusion, expressing appreciation for the beauty of the stars above, earth below.’ ©G.E.M.2019 LEAVES ONE by one, like leaves from a tree, All my faiths have forsaken me; But the stars above my head Burn in white and delicate red, And beneath my feet the earth Brings the sturdy grass to birth. I who was content to be But a silken-singing tree, But a rustle of delight In the wistful heart of night, I have lost the leaves that knew Touch of rain and weight of dew. Blinded by a leafy crown I looked neither up nor down— But the little leaves that die Have left me room to see the sky; Now for the first time I know Stars above and earth below. - Sara Teasdale ©Cover Image: 'Stars Above' Painting by Grace-Evangeline Mason 2019</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-glass-cathedrals</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1554513464444-A5VS9C90OS6B0YBDASSP/glass+cathedrals+cover.jpg</image:loc>
      <image:title>Glass Cathedrals - ‘GLASS CATHEDRALS’ (2019)</image:title>
      <image:caption>for Harp Approx. Duration: 4’ Written for Lauren Scott as part of Psappha Ensemble’s ‘Composing For’ Scheme 2019 ‘Glass Cathedrals’ (2019) for solo harp is inspired by the conceptual image of a grand cathedral constructed entirely of glass. The work seeks to create a delicate sound-world to emulate the fragility of the glass structure, contrasted by the use of prevailing, stronger indicatory material to emulate the large, imposing building itself. The piece aims to capture a moment of fleeting, temporary splendour before its great, and expectedly enduring, structure shatters. The melodic content is also inspired by lines from the poem ‘Adonaïs’ by Shelley: ‘Life, like a dome of many-coloured glass, Stains the white radiance of eternity’ ©G.E.M.2018 ©Cover Image: 'Glass Cathedrals' Painting by Grace-Evangeline Mason 2019</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-magnificat</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1559503579915-BZH0YJVU76KJQAK3RNQW/magnificat+cover.jpg</image:loc>
      <image:title>Magnificat - ‘MAGNIFICAT’ (2019)</image:title>
      <image:caption>for SSAATTBB Choir Approx. Duration: 6’ Commissioned by Chelmsford Cathedral to celebrate the 20th Anniversary of their Girl's Choir, first performed 29/06/19 A setting of the Magnificat in English ©Cover Image: Painting by Grace-Evangeline Mason 2019</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-midnight-spires</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1562757347584-5194S041JRSBEONZPD51/image-asset.jpeg</image:loc>
      <image:title>Midnight Spires - ‘Midnight Spires’ (2019)</image:title>
      <image:caption>for string quartet Approx. Duration: 7’ Commissioned by the Royal Philharmonic Society, first performed by the Castalian String Quartet at the Cheltenham Music Festival 9th July 2019 'Midnight Spires' (2019) is a short work for string quartet inspired by life in the city of Oxford, particularly in the midnight hours under the shadows of its spires and stars, and the warm, yellow glow of its streetlamps. The work seeks to emulate these atmospheric surroundings by utilising delicate melodic fragments to create an ethereal soundworld. ©G.E.M.2019 ©Cover Image: 'midnight spires' Painting by Grace-Evangeline Mason 2019</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-in-her-own-valley</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/9821106d-be16-425f-9e8c-17ef18af5ea6/in+her+own+valley+new+cover.jpg</image:loc>
      <image:title>In Her Own Valley - ‘In Her Own Valley’ (2019)</image:title>
      <image:caption>A cantata for combined youth and children’s choirs, piano and percussion Approx. Duration: 17’ Libretto: Lila Palmer Commissioned by the Royal Liverpool Philharmonic Society, first performed by combined Liverpool Philharmonic Youth Choirs, Liverpool Philharmonic Hall, 16th July 2022 In Her Own Valley I: Here, Here On The Docks II: Mistress Hannah III: Quarry Bank Valley IV: After The Accident V: We Are The Children</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-mahlers-letters</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1579412565946-HKL3H22DGGY6G26GEBJ4/Mahler%E2%80%99s+Letters+cover.jpg</image:loc>
      <image:title>Mahler's Letters - Mahler’s Letters (2020)</image:title>
      <image:caption>for choir Approx. Duration: 18’ Commissioned by the Royal Liverpool Philharmonic Society for the Royal Liverpool Philharmonic Choir. First performance May 8th 2022, Liverpool Philharmonic Hall Mahler’s Letters: I. Nature II. Love III. Music IV. Death ‘Mahler’s Letters’ (2020) for choir is inspired by the letters of the composer, Gustav Mahler (1860-1911). Often portraying romantic figures for music as a form of nature, his dramatic descriptions of the scenery that inspired him and his life at large, Mahler’s letters are strikingly poetic and revealing. His letters have had an important impact upon the reception of his music and our understanding of him personally; he exclusively wrote music and letters and, therefore, there are no essays, memoirs, or manifestos to call upon. Mahler’s correspondence is prolific and has been released, published and translated into multiple volumes, which is unusual as many other composers have often benefitted from a uniform edition. ‘Mahler’s Letters’ is a setting of four poems that I have written for this work, which act as fictitious letters constructed from and inspired by the ideas, thoughts and language in Mahler’s correspondence. The poems deal with significant themes in art and particularly pertinent topics within Mahler’s music, life and his letters themselves. The poems that make up the four movements of ‘Mahler’s Letters’ are each addressed to a nameless addressee, ‘Dear You’, as they utilise a myriad of the letters that Mahler wrote to many different recipients including his wife, Alma, as well as his friends, colleagues, and critics. ‘Mahler’s Letters’ is, therefore, a reflective choral work concerned with some of the universal aspects of art and life itself; Nature, Love, Music, and, alongside religion, Death.©G.E.M.2020 ©Cover Image: 'Letters' by Grace-Evangeline Mason 2020</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/i-saw-three-ships</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1581092856115-59GYFZ019H5I6C60GLBB/71DcUrc1R9L._SS500_.jpg</image:loc>
      <image:title>I Saw Three Ships - I Saw Three Ships (2019)</image:title>
      <image:caption>mezzo-soprano and piano Traditional arr. Grace-Evangeline Mason Duration: 3’ Arrangement of the traditional song ‘I Saw Three Ships’ commissioned and performed by Jennifer Johnston, mezzo-soprano, with Alisdair Hogarth, piano. first released by the record label Rubicon Classics on ‘A Love Letter To Liverpool’; the debut solo album of the British mezzo-soprano star, Jennifer Johnston as a tribute to her home city. The album features songs with a Liverpool connection and has been produced in conjunction with the Royal Liverpool Philharmonic Orchestra. The arrangement was later released as a Christmas Single, also on Rubicon Classics Record Label.</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-my-thoughts-fly-in-at-your-window</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1590133437781-RH6VNSQ5AGHVSR1YKCAP/thoughts+window+cover+option+2.jpg</image:loc>
      <image:title>My Thoughts Fly In At Your Window - My Thoughts Fly In At Your Window (2020)</image:title>
      <image:caption>for chamber ensemble cl, bsn, hrn, strings (1.1.1.1.1) Approx. Duration: 10’ Commissioned by the City of Birmingham Symphony Orchestra to mark their centenary year I - My thoughts fly in at your window.. II - ..As a flock of wild birds ‘My Thoughts Fly In At Your Window’ (2020), is a chamber work in two movements inspired by the final line in Sara Teasdale’s poem ‘At Night’, which reads ‘my thoughts fly in at your window, a flock of wild birds.’ Each movement is titled after the two halves of the sentence so that the first movement leads into the second as if thoughts are expressed within one and turned into and released as birds in the other. The structure of the central melodic line in ‘My thoughts fly in at your window..’ acts as an unspoken vocalization of the poem, which breaks into a flurry of motivic fragments to emulate the building up and accumulation of swirling thoughts at the conclusion of the passage. These thoughts are then freed in the second movement scored for strings ‘..as a flock of wild birds’; the harmonic foundation of the central melodic line in the first movement returns as delicate figures to create a fragile sound-world emulating thoughts expressed with the liberty of wild, untethered birds.’ ©G.E.M.2020 ©Cover Image: 'Flock of Wild Birds' Painting by Grace-Evangeline Mason 2020</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/laltra-notte-in-fondo-al-mare</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1598012506302-MIX673WMVT5NSLWBTR3W/EfobbRJXgAEoNZ6.jpeg</image:loc>
      <image:title>L'altra notte in fondo al mare - ‘L’altra notte in fondo al mare’ (2020)</image:title>
      <image:caption>Soprano with chamber orchestra Boito arr. Grace-Evangeline Mason Duration: 5’30” Commissioned by the Dutch National Opera, first performed as part of the alternative production ‘FAUST [Working title]’ 2020/21 opening season, Amsterdam, 5th-24th September 2020 A reimagining of the famous ‘prison’ aria ‘L’altra notte in fondo al mare’ from Boito’s ‘Mefistofele’, this arrangement commissioned by the Dutch National Opera for inclusion in the alternative production ‘FAUST [Working title]’ by Lisenka Heijboer Castañon and Manoj Kamps, explores this original material by recomposing it in an intimate and heartfelt way to create a new moment of delicate, perhaps almost private, transcendence. The arrangement aims to maintain the original vocal line from the piece by keeping it completely intact and yet, creates a new and imaginative sound-world surrounding it whilst simultaneously honouring the depths of feeling within the original aria. Working with atmosphere, narrative and texture, this music uses a limited instrumental accompaniment of just muted brass, strings, a small amount of percussion and a rather prolific celeste part to create a distinctively earnest moment in the production of ‘FAUST’ of tender simplicity. ©G.E.M.2020</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-the-beauty-of-decay</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1609731760465-2K9HCNHYBVAZSCBO993H/beauty+of+decay+cover+3.jpg</image:loc>
      <image:title>The Beauty of Decay - The Beauty of Decay (2020)</image:title>
      <image:caption>for chamber ensemble fl. cl. perc. pno. strings (1.1.1.1.1) Approx. Duration: 7’30” Written for the Manson Ensemble, first performed at the Royal Academy of Music, London, conducted by Christopher Austin 30/10/2020 ‘‘The Beauty of Decay’ (2020) for chamber ensemble is inspired by the exhibition of the same name by Rebecca Louise Law (2016) in which she created an installation of natural materials, namely 8000 hanging flowers, which gradually wilt and decay until they are preserved as dried flora. The piece is influenced by the contrast between the delicate, beautiful and ethereal quality of the flowers, with the gritty reality of their faded and deteriorated state. As the exhibition has an almost interactive aspect to it as viewers can move around the space, be enveloped by the cascade of suspended flowers, or step back and perceive the value of the transitioning material as a whole, the piece takes on a non-linear structure in conjunction with the experience of the artwork. The return to the more delicate material at the end of the piece signifies that beauty has been found amongst the decay.’ ©G.E.M.2020 ©Cover Image: 'Beauty of Decay' Painting by Grace-Evangeline Mason 2020</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-the-imagined-forest</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/1624546333539-QMZL7RTFMHRD4NYG4Y5U/The+Imagined+Forest+cover.jpg</image:loc>
      <image:title>The Imagined Forest - The Imagined Forest (2021)</image:title>
      <image:caption>for orchestra Duration: 12 minutes Co-commissioned by BBC Radio 3 and the Royal Liverpool Philharmonic Orchestra to mark the 150th anniversary of the Royal Albert Hall, London. First performed by the RLPO, conducted by Domingo Hindoyan on September 5th 2021 as part of the BBC Proms at the Royal Albert Hall, London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-in-the-fragrant-air</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/cc206da2-f9e0-4487-9690-e8336dec50bc/In+the+Fragrant+Air+cover+2.jpg</image:loc>
      <image:title>In the Fragrant Air - In the Fragrant Air (2022)</image:title>
      <image:caption>for saxophone quartet Approx. Duration: 5’ Commissioned by Bill Connor on behalf of the British Association of Symphonic Bands and Wind Ensembles, for the Apollo Saxophone Quartet ‘In The Fragrant Air’ (2022) is a short work for saxophone quartet inspired by the opening lines of the poem ‘Calm is the fragrant air’ by William Wordsworth (1770-1850). The piece begins with gentle, cascading figures suggestive of the fragrant air and falling dews described in the first lines of the poem. This is followed by more rhythmic passages with fuller, contrasting textures as ‘one by one’ you look up to the stars to ‘mark them twinkling out with silvery light’ as the music opens out into repetitive, shimmering instances before returning to the atmospheric airs from which the material originates. ©G.E.M.2022 ©Cover Image: 'Fragrant Air' Digital Painting by Grace-Evangeline Mason 2022</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-light-revealing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/3b31495c-1440-4727-a631-d5b4c2f8ee8d/Light%2C+Revealing+cover.jpg</image:loc>
      <image:title>Light, Revealing - Light, Revealing (2021)</image:title>
      <image:caption>for solo organ Approx. Duration: 3’ Commissioned by Anna Lapwood and Stainer &amp; Bell for inclusion in the Gregoriana solo organ anthology. ‘Light, Revealing’ (2021) is a short work for solo organ. Inspired by Jeanne Demessieux’s classic 12 Chorale Preludes on Gregorian Chant Themes, this piece is based on Lumen ad revelationem gentium. ©G.E.M.2021 Cover Image: Gregoriana anthology cover artwork by Ellie Winter</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-the-safekept-memory</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/66de4fbc-f1a2-44c3-aca8-f5308d74e309/The+Safe-kept+memory+cover.jpg</image:loc>
      <image:title>The Safe-Kept Memory - The Safe-Kept Memory (2021)</image:title>
      <image:caption>for Wind Band Approx. Duration: 5’ Commissioned by the Heswall Concert Band to celebrate their 25th anniversary year, first performed as part of the Wirral Arts Festival on October 3rd 2021. Suitable for all community, youth and professional band standards. ‘The Safe-Kept Memory (2021) is a short work commissioned to celebrate the 25th anniversary of the Heswall Concert Band. The piece is titled after and influenced by the poem ‘The Coin’ by the American lyric poet, Sara Teasdale (1884-1933), which also informs the melodic contour of the work and reads: ‘Into my heart’s treasury I slipped a coin That time cannot take Nor a thief purloin, Oh better than the minting Of a gold-crowned king Is the safe-kept memory Of a lovely thing.’ - Sara Teasdale This inspired the work after reading the words of Les Stevenson, a founding member and president of the band, who enthuses that one of the greatest benefits of being a musician, is friendship. This friendship, especially within the community of a long-standing band, is perhaps to be celebrated as the safe-kept memory of a lovely thing.’ ©G.E.M.2021</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-where-the-birds-sing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/6f0bb0ed-e2e2-4c6c-9dd4-76f1975ee6aa/Where+the+Birds+Sing+cover.jpg</image:loc>
      <image:title>Where the Birds Sing - Where the Birds Sing (2022)</image:title>
      <image:caption>for solo organ Approx. Duration: 5’ Commissioned by the Northern Ireland International Organ Competition and the Commission for Victims and Survivors for Northern Ireland. With dedication to all those touched by The Northern Ireland Troubles. First performed by Richard Gowers at Southwark Cathedral, 28th March 2022 ‘Reflecting on themes of spring, hope, and celebration, ‘Where the Birds Sing’ (2022) for solo organ is inspired by the opening stanza of the poem ‘Spring Quiet’ by Christina Rossetti (1830-1894). To mark the passing of winter darkness, the piece opens with light, ethereal figurations, which expand and build into a fuller, more powerful, celebratory texture. The music then returns to the atmosphere introduced at the outset, with the addition of floating filigree above, representing the arrival of the singing birds of spring.’ ©G.E.M.2022 ©Cover Image: 'Where the Birds Sing' Painting by Grace-Evangeline Mason 2022</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-whirl-up-sea</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/951382d2-5351-4ddf-b35e-0b9357ee83dc/Whirl+Up%2C+Sea+%E2%80%94+by+Grace-Evangeline+Mason.jpg</image:loc>
      <image:title>Whirl Up, Sea- - Whirl Up, Sea— (2022)</image:title>
      <image:caption>for solo ‘cello Approx. Duration: 3’30” Written as part of the bicentenary celebrations of the Royal Academy of Music, London, first performed there by Theo Bently Curtin on 8th July 2022. ‘Whirl Up, Sea’ (2022) for solo ‘cello is inspired by the poem ‘Oread’ by H.D. (1886-1961): Whirl up, sea— whirl your pointed pines, splash your great pines on our rocks, hurl your green over us, cover us with your pools of fir. The reoccurring three-note rising figure throughout the piece denotes the first line of the poem that is also the title of the work. The piece rises and falls to signify the movements of the sea described in the poem, which is realised by the subtle fading in and out of the lines, the fluctuations in tempo, and the repetitions that characterise the nature of the work. ©G.E.M.2022 ©Cover Image: ‘Dark Sea' Digital Painting by Grace-Evangeline Mason 2022</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-the-water-garden</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/9842afb4-a11b-429a-8286-b6af9a653fa2/the+water+garden+cover.jpg</image:loc>
      <image:title>The Water Garden - The Water Garden (2022)</image:title>
      <image:caption>For Wind Dectet and Harp Approx. Duration: 8’ Commissioned by the Philharmonia Orchestra. first performed on 23rd March 2023 by the Philharmonia Orchestra, conducted by Delyana Lazarova, at the Southbank Centre, London. ‘Scored for wind dectet and harp, ‘The Water Garden’ (2022) is inspired by the poem ‘Chinoiseries’ by the American, Imagist poet, Amy Lowell (1874-1925). The poem begins ‘When I looked into your eyes, I saw a garden,’ before the speaker describes an idealistic landscape of ‘crimson peonies,’ ‘tinkling pagodas,’ and ‘still lakes’ to create delicate, reflective imagery. This is then tinged with sadness as when the woman reaches through the water to pluck the peonies beneath the surface, the stems fracture and break in her hand staining her rain-blue dress ‘like tears.’ This juxtaposition of tranquil surroundings with undertones of mystery and unease is depicted throughout ‘The Water Garden,’ as the work begins with a mystical, fragile soundworld before transitioning through both static, otherworldly moments, and more rhythmic, whimsical passages. The piece portrays non-linear impressions of the imagery, delicate garden flowers and watery surfaces, and the feelings of both tender sentiments and apprehension in the poem.’ ©G.E.M.2022</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-a-winter-carol</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/9a0812db-99c2-46fc-9cfa-d700089e28bd/A+Winter+Carol+cover.jpg</image:loc>
      <image:title>A Winter Carol - A Winter Carol (2021)</image:title>
      <image:caption>for Choir Approx. Duration: 3’ Commissioned by the BBC Music Magazine for their 2021 Christmas Edition. ‘Each year the BBC Music Magazine commissions a brand-new Christmas Carol for their readers and, for 2021’s carol, I decided to write and set my own poem titled ‘A Winter Carol’. The words, which depict snowy scenery and starry allusions to heaven and earth, also include a modern twist as I dream of walking home at Christmas time under the warm glow of the street lamps all covered in a silver frost.   Written in three verses with a short refrain in between repeating the word ‘winter,’ the piece is a small, celebratory reflection of Christmas time. The carol begins in quiet consideration before opening up to feel hearty and warm. After a playful midsection, the work returns to a softer final coda, which is reminiscent of the opening.’©G.E.M.2021 ©Cover Image: A Winter Carol by Grace-Evangeline Mason 2021</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/work-a-memory-of-the-ocean</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/51058d18-ea4c-4d1c-a7da-4ec8056d24f6/A+Memory+of+the+Ocean+cover.jpg</image:loc>
      <image:title>A Memory of the Ocean - A Memory of the Ocean (2023)</image:title>
      <image:caption>For choir, piano concertante, and solo ‘cello Approx Duration: 20’ A collection of pieces that can be performed separately or together as movements; I. A Memory of the Ocean (7’) II. I Am A Pool (7’) III. Sea of Amethyst (4’) Co-commissioned by the Royal Philharmonic Society, with support from the Vaughan Williams Foundation to celebrate the 150th anniversary of the birth of Ralph Vaughan Williams, and by the Netherlands Broadcasting Organization AVROTROS. The world premiere was presented on 24th June 2023 by Bristol Choral Society conducted by Hilary Campbell, and the Dutch premiere was presented on 6 October 2023 in the AVROTROS Friday Concert series with the Netherlands Radio Choir and pianist Hannes Minnaar conducted by Florian Helgath. ‘A Memory of the Ocean (2023) is a collection of pieces scored for choir, piano and violoncello. The texts, comprised of one poem by the composer followed by settings of poetry after Sara Teasdale (1884-1933), are unified by their allusions to the sea. Commissioned to celebrate the 150th anniversary of the birth of Ralph Vaughan Williams, the collection is inspired by his work ‘A Sea Symphony’ (composed 1903-1909) as an important work in the history of British choral music in which the chorus is used throughout as a vital part of the work’s texture and colour. Similarly, the choir provides a fundamental surface for the piano to take moments of prominence throughout the pieces. The pieces are either to be performed as a complete collection, or performed individually.’ ©G.E.M.2023 ©Cover Image: 'Amethyst Sea’ Digital Painting by Grace-Evangeline Mason 2023</image:caption>
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  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/ablaze-the-moon</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-06-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/9e5acfe4-ed0e-4d4a-8a38-55f20193915c/Ablaze+the+moon+cover.jpg</image:loc>
      <image:title>ABLAZE THE MOON - ABLAZE THE MOON (2023)</image:title>
      <image:caption>for orchestra Duration: 5 minutes Commissioned by BBC Radio 3 First performed by BBC Philharmonic Orchestra conducted by Mark Wigglesworth, July 18th 2023 as part of the BBC Proms at the Royal Albert Hall, London. ‘ABLAZE THE MOON’ (2023) for orchestra is inspired by the poem ‘Tonight’ by the American lyric poet, Sara Teasdale (1884-1933). The melodies in the piece follow the lines of the poem, which are full of vivid descriptions and begin ‘The moon is a curving flower of gold, the sky is still and blue; The moon was made for the sky to hold, and I for you.’  In this short concert opener, the image of the moon as a flower of gold hanging in a dark sky is alluded to by atmospheric passages that begin in the circling woodwinds. These are contrasted with deep punctuations in the strings suggesting the vast darkness that surrounds it. These forceful interjections ignite the woodwinds to intersperse, fall, and spiral, momentarily accentuating the inky backdrop of the sky. The music drives forward through the expanse, with the horns and brass building the texture, until the piece opens out into an ethereal, and celestial space as ‘the sky is luminous; eternity was made for them, to-night for us.’ ©G.E.M.2023 ©Cover Image: 'Moon Ablaze' Digital Painting by Grace-Evangeline Mason 2023</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/o-sapientia</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/990cea26-5aa5-4dbb-99fc-45abdb79549e/O+Sapientia+cover.jpg</image:loc>
      <image:title>O Sapientia - O Sapientia (2023)</image:title>
      <image:caption>for choir Approx. Duration: 3’30” Commissioned by Choir &amp; Organ magazine in partnership with the Choir of King’s College London and supported by PRS for Music. First performance by the Choir of King’s College London under Joseph Fort (06/12/23) ‘A setting of the Latin text of the great Antiphon ‘O Sapientia’ (O Wisdom) for Advent. The piece is built on texture, starting with an atmospheric, sustained sound-world featuring a solo line above humming and echoing of the vowel sounds throughout the choir to create something like an echo chamber with modal inflections. The choir unites in delivery of the text before the words ‘O Sapientia’ emerge from the texture sparingly to foreshadow what’s to come. Later, the lower voices carry the delivery of the text while the upper voices repeat sung phrases ad libitum to give a sense of freedom both for the singers and listeners. The music then returns to the thoughtful and reflective stasis of its beginning.’ ©G.E.M.2023 ©Cover Image: Digital Painting by Grace-Evangeline Mason 2023</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.graceevangelinemason.com/discography</loc>
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  <url>
    <loc>https://www.graceevangelinemason.com/archive-of-events</loc>
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    <lastmod>2024-03-31</lastmod>
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    <loc>https://www.graceevangelinemason.com/long-biography</loc>
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    <lastmod>2024-04-03</lastmod>
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  <url>
    <loc>https://www.graceevangelinemason.com/the-butterfly-and-the-stone</loc>
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    <lastmod>2025-05-09</lastmod>
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      <image:title>The Butterfly and the Stone - The Butterfly and the Stone (2021-2024)</image:title>
      <image:caption>for flute and piano Total Approx. Duration: 9’ Miniature I: 2’30” Miniature II: 3’30” Miniature III: 3’00” First performance of the third miniature took place as part of the Swaledale Festival by the Maharaj-Degavino Duo on 1st October 2021. First performance of the complete work took place on the 13th November 2024. ‘The Butterfly and the Stone' (2021-2024) for solo flute and piano is inspired by words from the British poet, Elisabeth Sennitt Clough’s poem of the same name. The poem is comprised of three sections, which are represented as the three movements, or three short miniatures, that form the work. The flute lines often utilise elements of the poem to act as an unspoken vocalisation of the words. The piece depicts the imagery within the text by contrasting delicate passages with more rhythmic and dramatic moments. The rhythms are often irregular and, at times, intermittent to represent the unique lilting, flitting and darting movements of a butterfly in flight.’ ©G.E.M.2024 ©Cover Image: Digital Painting by Grace-Evangeline Mason 2024</image:caption>
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  <url>
    <loc>https://www.graceevangelinemason.com/the-hart</loc>
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    <lastmod>2025-11-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/59cbbca6-ebef-4551-8552-b4115ac4122e/The+Hart+inner+coverr.jpg</image:loc>
      <image:title>THE HART - THE HART (2025)</image:title>
      <image:caption>for soprano and orchestra Duration: 20 minutes Commissioned by Liverpool Philharmonic Society First performed by Sophie Bevan and the Royal Liverpool Philharmonic Orchestra, conducted by Ryan Wigglesworth, June 5th 2025 at the Liverpool Philharmonic Hall. I.  If I had gone before II. And suddenly, I am in the woods again III.Out of the Mid-wood’s Twilight IV. The White Deer V.  Evening, and all the birds ‘THE HART (2025) is a song cycle for soprano and orchestra inspired by nature and folklore. From Arthurian Legend to Hungarian and Celtic mythology, a white stag, or a white hart, has featured in folktales as an otherworldly messenger, or a sign of hope, due to its rare and elusive nature. THE HART explores these themes and, through poetry from Sara Teasdale, Oscar Wilde, and myself, portrays an impressionistic retelling of a tale inspired by folklore across its five movements in which the narrator, void of direction, reflects on her previous, mysterious encounter and strives to see the deer in the forest, once more. The first movement, If I had gone before, opens with a mystical yet pensive sound-world with a setting of Teasdale’s Late October, in which the narrator instructs us to ‘listen’ to the ghostly sounds of the woodland around her. This is followed by the shadowy and reflective second movement, And suddenly, I am in the woods again, in which the narrator laments about her previous encounter with the deer, a vestige of beauty and magic, from an earlier time. The livelier third movement, Out of the Mid-Wood’s Twilight, is a setting of Wilde’s In the Forest depicting the sudden appearance of the deer, which brings a fleeting moment of joy, before vanishing again. In the fourth movement, with words after Teasdale’s The Star, the narrator returns to the woods describing a glowing star seeking its reflection in a pool, before the deer gently reappears and they reunite from afar. In the final movement, Evening, and all the birds, a setting of Teasdale’s Dusk in June, the narrator expresses her enduring enchantment with the world as the birds ‘ease their hearts of joy for miles around’ and she, ‘like the birds,’ sings before night.’ ©G.E.M.2025 ©Cover Image: 'Forest Deer' Digital Painting by Grace-Evangeline Mason 2025</image:caption>
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    <lastmod>2025-04-24</lastmod>
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    <lastmod>2025-06-17</lastmod>
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      <image:caption>Grace-Evangeline Mason, Bristol Choral Society Recording Photo: FoxbrushFilms/Delphian Records</image:caption>
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      <image:caption>Grace-Evangeline Mason Photo: Mark Mason</image:caption>
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      <image:caption>Grace-Evangeline Mason, 2025</image:caption>
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      <image:caption>Grace-Evangeline Mason, 2025</image:caption>
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      <image:caption>Grace-Evangeline Mason, 2018 Photo: Mark Mason</image:caption>
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      <image:caption>Grace-Evangeline Mason, BBC Proms Photo: Chris Christodoulou</image:caption>
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      <image:caption>Grace-Evangeline Mason, 2019</image:caption>
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      <image:caption>Grace-Evangeline Mason, Sophie Bevan MBE, Royal Liverpool Philharmonic Orchestra Photo: Gareth Jones</image:caption>
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      <image:caption>Grace-Evangeline Mason, Groot Omroepkoor (Netherlands Radio Choir), TivoliVredenburg, Utrecht, Photo: Juri Hiensch</image:caption>
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      <image:caption>Grace-Evangeline Mason, 2021</image:caption>
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      <image:caption>Grace-Evangeline Mason, Bristol Choral Society Recording Photo: FoxbrushFilms/Delphian Records</image:caption>
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  <url>
    <loc>https://www.graceevangelinemason.com/hodie-christus-natus-est</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/64ab986e-d427-4bd9-9f63-8a98f00fa7b4/hodie+christus+natus.jpg</image:loc>
      <image:title>Hodie Christus natus est - Hodie Christus natus est (2015)</image:title>
      <image:caption>for SATB Choir Duration: 4’ In this contemporary setting of the traditional text Hodie Christus natus est, the piece begins in a hushed, exultant manner marking the news that ‘today Christ was born’. The piece then slowly builds into a climactic moment before a contrasting passage, reminiscent of the opening quietened jubilance, emerges out from underneath the texture. The work builds further yet again and breaks out into a triumphant, canonical Gloria in the upper parts before all the voices are united together at the end to sing ‘Alleluia’ in a still, yet ebullient, moment. Hodie Christus Natus Est Hodie Christus natus est Hodie Salvator apparuit: Hodie in terra canunt Angeli, Laetantur Archangeli; Hodie exsultant justi, dicentes: Gloria in excelsis Deo, alleluja. Today is Christ born; Today the Saviour has appeared; Today the Angels sing, The Archangels rejoice; Today the righteous rejoice, saying: Glory to God in the highest. Alleluia! - Traditional</image:caption>
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  <url>
    <loc>https://www.graceevangelinemason.com/hour-of-stars</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/c697ec14-9543-483a-baa7-b31471248e3c/hour+of+stars+cover.jpg</image:loc>
      <image:title>Hour of Stars - Hour of Stars (2026)</image:title>
      <image:caption>For choir, brass, harp, and percussion Duration: 15’ Commissioned by the London Symphony Chorus to make their 60th anniversary. I. Radiance of Eternity II. Hora Stellatrix III. O Night! Hour of Stars (2026) for choir, harp, brass and tuned percussion, consists of three movements, or pieces, and was commissioned to celebrate the 60th anniversary of the London Symphony Chorus. The texts are taken from Amy Lowell’s poetry collection, A Dome of Many-Coloured Glass (1912), which Lowell titled after a line from Percy Bysshe Shelley’s poem, Adonais (1821). The opening movement, Radiance of Eternity, is a setting of Shelley’s lines, ‘Life, like a dome of many-coloured glass, Stains the white radiance of Eternity,’ as quoted in Lowell’s dedication. The movement begins with delicate harp filigree over expansive, repeated choral and brass lines creating an atmospheric sound-world. The words are fragmented until the line is revealed in full. This is followed by two movements setting words after two of Lowell’s poems from her collection. The second movement, Hora Stellatrix, meaning Star Hour, is a reflective and warm setting after Lowell’s poem of the same name beginning in acapella choir before it is joined together with brass and harp. The movement expands outwards at its conclusion by repeating the words ‘Hora Stellatrix’ over a prevailing, majestic texture in lower voices and brass reminiscent of a chorale. The final movement, O Night!, is a setting of words after Lowell’s poem New York at Night. It begins with bold, punchy repetitions and brass interjections creating a bright and spirited sound, before the texture reduces to a soprano line supported by two trumpets. The piece ends with the words ‘this is the hour of stars’ with bell-like figures in harp, brass, and percussion. ©G.E.M.2026</image:caption>
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  <url>
    <loc>https://www.graceevangelinemason.com/an-everywhere-of-silver</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59837f8fd7bdce30c2de0688/a5ff99b3-6c38-473b-b6df-2472ed0b26ae/an+everywhere+coverr.jpg</image:loc>
      <image:title>An Everywhere of Silver - An Everywhere of Silver (2026)</image:title>
      <image:caption>for orchestra Duration: 14 minutes Co-commissioned by the Baltimore Symphony Orchestra and The Clarice Smith Performing Arts Center, University of Maryland. First performed by the Baltimore Symphony Orchestra, conducted by Jonathon Heyward, on March 6th 2026 at The Clarice Smith Performing Arts Center, Maryland. An Everywhere of Silver (2026) ’When composing An Everywhere of Silver (2026) for orchestra, I considered the vast, awe-inspiring environments we have here on earth, whether it be stark landscapes of ice or the seemingly unending depths of our oceans. It was the latter I was drawn to when I came across the poem of the same name by the American poet, Emily Dickinson (1830-1886), and was inspired by the imagery in her words: An everywhere of silver, With ropes of sand To keep it from effacing The track called land. The poem presents a ceaseless yet fragile landscape, conjuring a sense of isolation and transience; the silvery expanse suggests a limitless surface, while the ‘ropes of sand’ serve as an ephemeral boundary attempting to contain, and protect, the ever-moving sea. The piece begins with large expanses of sound to suggest the vast depths of the dark ocean, which are separated by a fragmented melody presented in horns, followed by lower brass, to reflect the stark, minimalist imagery in the poem. This is contrasted with delicate figures in high woodwinds, celeste, harp, and metallic percussion to reflect the silvery surfaces swirling above. The music travels through a collage of contrasting sections of stillness and motion, with fragments appearing and dissipating throughout the orchestra, to reflect the changing nature of the sea and the shifting relationship between the sea and the sand, nature and ourselves. There are also more playful moments in the music, as the sea traces, teases, and dances with the shoreline. The piece ends with an evocation of the waves; large sweeping strings lay the foundation for a strong statement of the melody in unison horns tracing above. An Everywhere of Silver highlights the importance and beauty of the ocean, as well as the cyclical nature of time, which cannot be halted, and the prevailing notion that nature is much bigger than ourselves.’ ©G.E.M.2026</image:caption>
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